The artwork Apparato Circolatorio (Circulatory System) by the artist Jago – one of the most successful Italian sculptors on the international scene – was unveiled today at Terminal 1 of Rome Fiumicino Airport. The inauguration was attended by Federico Mollicone, Chair of the Culture Committee of the Chamber of Deputies, and Marco Troncone, CEO of Aeroporti di Roma.

Inside the airport, the installation features six red ceramic hearts, taken from Jago's original 2017 work and symbols of universal values: equality, empathy, memory, hospitality, hope and courage. Arranged in a circle – a geometric figure without beginning or end – and accompanied by a video projection reproducing their rhythmic pulsation, the hearts invite travellers to rediscover, even if just for a moment, the deeper meaning of belonging to a shared humanity.

‘As Rome Fiumicino surpasses 50 million annual passengers and confirms its place among the world’s top hubs for quality and connectivity, we continue to invest in creating a welcoming environment that highlights the extraordinary richness and excellence of Italian art, enhancing the value of this infrastructure. – said Marco Troncone, CEO of Aeroporti di Roma. – It is within this context that the work of an artist of such stature on the contemporary scene finds its place. His presence in our airport goes beyond aesthetics. After representing Italy on the Vespucci world tour and at Expo 2025 Osaka, Jago now offers a space for shared reflection here as well, at the heart of global mobility. The hearts of ‘Apparato Circolatorio’ are more than a symbol - they are a universal message of peace and a powerful reminder of the human dimension of our work, which connects people, experiences, dreams, and values every day.’

Apparato Circolatorio will be visible to all passengers and marks a new step in the ongoing mission pursued by Aeroporti di Roma – part of the Mundys group – to transform Rome Fiumicino Airport into a true cultural platform, having already displayed over the years masterpieces such as Bernini's Salvator Mundi and the three stained-glass windows attributed to Giotto from the Basilica of Santa Croce. This vision reflects the intention to permanently integrate contemporary art into the airport environment, making it accessible, engaging, and an integral part of the travel experience.

Moving in this direction, ADR's goal is to redefine the role of the airport as a living infrastructure, where even waiting time becomes an opportunity for discovery, shared beauty, and celebration of Italian excellence.